Last weekend my partner and I went to Dimitris Papaioannou’s latest production ‘The Great Tamer’, at the Stadsschouwburg Amsterdam. The show starts slowly with repetitive actions but picks up speed and does not bore. The overall feeling I got was that there was some kind of storyline that was just beyond my grasp. However, this did not bother me in the slightest. Instead I watched how bodies were pulled out of the ground, were dissected, and buried. Body parts from various actors were used to form one whole new person. How astronauts walked on stage as if it was a moon landscape and how several references were made to famous paintings. Coincidence? I think not.
THE GREAT TAMER (2017) / a new work by Dimitris Papaioannou / trailer from Dimitris Papaioannou on Vimeo.
The audience laughed at various moments, and seemed at times to be as wonderfully lost in the work as I was. The ending seemed to complete the circle. Almost leading us back to the beginning before fading to black.
Check out the trailer or better yet, go see Papaioannou’s work for your self. Its worth it. I promise.
A few friends and I spend a nice Friday evening making signs for the women march that took place in cities all over the world on Saturday, including the one I live in, Amsterdam. I was surprised by the large turn out. This is the first time I have seen such a world wide backlash agains a US president. Despite there being a lot of criticism of white women’s intention, I think that the protest yesterday, at least in Amsterdam, was diverse (perhaps not enough), and well intended. Most of the people holding signs protesting for ALL women and not just white women were actually white women. What disappointed me was the lack of men in my own circle of friends that did not attend the protest. In the end this protest was not just agains the misogyny, sexism, racism and anti-immigration stance of Donal Trump, but it was agains the type of rhetoric that we have been hearing in many European countries such as The Netherlands, France and Austria to name a few. At some point, we, those who do not agree with these far-right nationalist views have to take a stand. We have to come out for what we believe in. And we cannot do this alone. We need our allies. As a person of color, I stress that we should be mindful of including our white allies in this resistance. People of all colors, genders, and social strata in between should stand together. Together we are stronger.
Sadly, I keep reading stories like the one published on World AIDS Day on Quartz. Its a story about an increase of HIV infection rates in China. Again we see that this is mainly due to a 400% increase of infection among men who have sex with men. Not only are infection rates increase, but so are the deaths caused by AIDS.
I often get the impression that many people do not see the disease as a threat any more. They often have the idea that through modern drug therapies, HIV has become a chronic disease and is no longer deadly if well managed. Yet they forget that people are still dying from these disease world wide. This is why I was happy to see the attention given to this disease this year on World AIDS Day (1st of December). I volunteer for the Man tot Man unit of the GGD Amsterdam, and was at this years Love Dance which is a event meant as a closing of the World AIDS Day commemorations and events.
The GGD Amsterdam was at this party to offer free anonymous HIV testing. And I was happy to see people of all ages, genders, and sexual orientation getting tested. Even though its a small group, at least it promotes awareness of this epidemic and that the fight has not yet been won.
Tropen Museum, Amsterdam
An exhibition that presents the works of twelve Chinese artists that show taboo love in China. By using mediums such as film, photography, oils, ink and paper, they illustrate the tensions regarding sexuality and gender identity.
Artists: Fan Popo, Wang Zi, Cheng Juanzi, Song Jianing, Li Xiaofeng, Shi Tou, Li Guangxin, Gao Brothers, Fen-Ma Liuming, Chi Peng, Yang Guowei, Xiyadei